Longlegs (2024) Horror Movie Review

 

“Longlegs,” the latest cinematic offering of 2024, is a film that has been riding on the waves of immense hype and anticipation. With its stylish cinematography and a narrative that promised to be both compelling and unnerving, the film had all the makings of a genre-defining thriller. However, upon viewing, it becomes apparent that “Longlegs” is a mixed bag of exceptional moments overshadowed by a disjointed storyline.

The film opens with a sequence that is both haunting and beautifully shot, reminiscent of watching a home movie through a family room projector. This sets the tone for what could have been a deeply atmospheric and disturbing journey into the psyche of a serial killer. The use of slowed zoom shots and artistic storytelling gives “Longlegs” an off-kilter, curious edge that initially grabs the viewer’s attention.

As the story unfolds, Alicia Witt delivers a performance that is both creepy and startling, contributing to the film’s eerie ambiance. Nicolas Cage, as always, brings a unique energy to the screen, worming his way into the nightmares of the audience with a dread-filled portrayal of the antagonist.

Despite these strengths, “Longlegs” falters in its execution. The middle section of the film is bogged down by expository-heavy dialogue and meandering subplots that fail to advance the narrative in a meaningful way. The promise of a devilishly startling experience is lost in the labyrinth of its own storytelling, leaving viewers with more questions than answers.

The marketing of “Longlegs” was undoubtedly its greatest triumph. It sold an idea of a movie that seemed to promise a thrilling, edge-of-your-seat experience. Unfortunately, the actual film does not live up to the expectations set by its promotional campaign. It’s a film that is sometimes good, sometimes scary, and sometimes laughably goofy, but ultimately, it’s the hype that outshines the movie itself.

In the Nutshell

“Longlegs” is a film that could have been a masterpiece with its compelling premise and stylistic choices. However, it ultimately serves as a reminder that a strong opening and a few standout performances are not enough to carry a film through to a satisfying conclusion. It’s a disappointing, over-hyped slog that had the potential to be so much more. [4 out of 5].

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Genre: Serial Killer

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